Japanese Short Essay: ダンスへの愛があふれる (My love for dance)

(English Below)

4歳か5歳の時にクラシックバレエを始め、多いときでは週6日バレエ教室に通った。15歳で高校入学とともにバレエ教室はやめたが、高校でダンス部に入り、結局また毎日のように踊った。大学生、社会人になってから定期的に踊ることはなくなったが、ダンスへの愛の強さは変わらなかった。(ブログの写真は2018年カリフォルニアディズニーランドでの私!)

子供のころは、学校の友達との遊びや恋愛よりも、携帯やゲーム、漫画よりも、とにかくバレエが大好きで、読む本や雑誌もバレエ関係、テレビで見るのもバレエ、休日遊ぶのもバレエの友達、一番好きなお出かけはバレエ鑑賞かバレエショッピング。とにかくバレエ漬けの毎日だった。プロになりたいと思ったこともあったが、身長154cmではバレエ団の入団試験さえ受けられないので、14歳くらいで身長が低いと分かった時に早々にあきらめた。

ダンスや音楽に救われてきたと言っても過言ではない。高校3年で受験勉強中にうつ症状になった時、3か月くらいなにをしても気分が上がらず、もうこのまま治らないのではないかと思っていた。ある日、思い立ってバレエ教室に行ってみたら、最初のレッスン後、教室の外に出た瞬間に歌って踊って走りながら家に帰りたくなるほど、いい気分になった。家まで20分くらいで帰れるのに、待ちきれずその場でお母さんに電話して、どんなにいい気分か伝えたことを今でも覚えている。

バレエとの関係は、一様に素晴らしいわけではない。まだ、生徒の体を叩いて直したり、腹の肉をつまんで「デブだね」といったりするのが普通の時代。バレエの世界は競争も激しい。一番うまいと思う生徒をみんなで選ぶ(そして自動的に一番下手な生徒も選ばれる)とか、上手い人がいい役を踊れる、「〇〇ちゃんみたいに痩せなさい」とか、とにかく競争させて上達させる方針。怒ると本当に怖い、ものすごく厳しい先生にメンタルを鍛え上げられた。

スペインに来て3年目の先月、友達からの勧めでついにダンス教室に行ってみた。でも今回はバレエではなく、コンテンポラリーダンス。もちろん、バレエやほかの運動をしていたおかげで、そうじゃない人よりずっと簡単に習得できるが、逆にバレエでの癖が足を引っ張ることもあり、最初の数レッスンは少し戸惑った。6回目のレッスン後、ついにあの「ダンスハイ」を感じられた!レッスン後外に出た瞬間、そのまま大声で歌って踊って走りながら家に帰りたくなった。さすがにそこまでしなかったけど、Mercadonaで買い物しながらあんなににやにや笑っていたのは、あの日のスペインで私だけかもしれない。

コンテンポラリーダンスは、バレエで無駄に鍛えられた競争心や「こうでないといけない」という堅い頭をほぐしてくれている。基本的な動きのルールはあるけれど、それよりも「呼吸と一体化して動く」「重力に引っ張られるように」「〇〇をイメージしながら」など、感覚を追って個々が思うように体を動かすことができる。覚えた振りをグループごとに披露するとき、つい私の頭は「うまい子を探そう」「あの子は私より〇〇ができる」とか競走モードに入ってしまうのだが、自由な動きのせいで特に誰がうまいかもわからず(笑)、「ああそっか、もう競争しなくていいのか」と気づく。レッスン中も即興で踊っていいことが多く、最初は恥ずかしかったけどすぐにその楽しさに虜になった。

強いてコンテンポラリーダンスの欠点を挙げるなら、週2回、合計3時間ガッツリ踊るので、いつも筋肉痛だし、なんだか忙しいこと!でも、運動好きの人ならわかってくれるでしょう、、あの筋肉痛で毎日起きる感覚って結構いいよね!(笑)

ENGLISH VERSION

I started classical ballet when I was four or five years old, and at my busiest I was going to ballet school six days a week. When I entered high school at fifteen, I quit ballet school, but I joined the dance club at school and ended up dancing almost every day anyway. Once I became a university student and later started working, I no longer danced regularly, but my love for dance never faded. (The photo of this blog is me in California Disney in 2018!)

As a child, I loved ballet more than playing with school friends, more than romance, more than cell phones, games, or manga. The books and magazines I read were all about ballet, the only thing I watched on TV was ballet, on weekends I spent time with ballet friends, and my favorite outings were either watching ballet performances or shopping for ballet goods. Every day was completely filled with ballet. At one point I dreamed of becoming a professional, but since ballet companies won’t even let you audition if you’re under a certain height, I gave up when I realized at around age fourteen that my height would stop at 154 cm.

It’s no exaggeration to say that dance and music have saved me. In my final year of high school, while studying for entrance exams, I experienced depressive symptoms. For about three months, nothing I did could lift my mood, and I started to think maybe I’d never recover. One day, on a whim, I went to a ballet studio. After just the first class, the moment I stepped outside, I felt so good that I wanted to sing, dance, and run all the way home. Even though it only takes about twenty minutes to get home, I couldn’t wait and immediately called my mom on the spot to tell her how amazing I felt. I still remember that.

My relationship with ballet hasn’t always been beautiful. Back then, it was normal for teachers to hit students’ bodies to correct posture, or pinch the fat on your stomach while saying “you’re fat.” The ballet world was fiercely competitive. There was a custom like everyone would vote on who the best dancer was (which also automatically revealed who was considered the worst), the best dancers always got the good roles, and teachers would say things like, “Be as thin as (your friend’s name).” The teaching style was basically to push students to improve through competition. I was toughened up mentally by very strict teachers who could be truly terrifying when angry.

Last month, in my third year living in Spain, I finally tried going to a dance school thanks to a friend’s recommendation. But this time it wasn’t ballet—it was contemporary dance. Of course, having done ballet and other physical activities made it much easier for me to learn than for complete beginners. At the same time, some of my ingrained ballet habits actually held me back, so during the first few lessons I felt a bit lost. But after the sixth lesson, I finally felt that incredible “dance high”! The moment I stepped outside after class, I wanted to sing, dance, and run all the way home again. I didn’t actually do it, but I might have been the only person in Spain grinning ear to ear while shopping at Mercadona that day.

Contemporary dance has been loosening up the unnecessary competitiveness and rigid thinking that ballet drilled into me. Of course, there are basic movement rules, but more important is moving as if united with your breath, letting gravity pull you, or dancing while imagining different images. You follow sensations and move your body in your own way. When we perform choreography in groups, my brain still sometimes slips into competition mode—looking for who’s the best, or thinking “that person can do this better than me.” But because the movement is so free, it’s impossible to tell who’s best anyway (haha), and I realize, “Oh right, I don’t have to compete anymore.” We’re often encouraged to improvise during class, too. At first, it felt embarrassing, but I quickly became hooked on the joy of it.

If I had to name one downside of contemporary dance, it’s that with two classes a week adding up to three solid hours of dancing, I’m always sore and it keeps me pretty busy! But anyone who loves exercise will understand—there’s actually something pretty great about waking up every day with that kind of muscle soreness (haha).